The Spectrum of English Murder: The Detective Fiction of Henry Lancelot Aubrey-Fletcher and G. D. H. and Margaret Cole, by Curtis Evans
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The Spectrum of English Murder: The Detective Fiction of Henry Lancelot Aubrey-Fletcher and G. D. H. and Margaret Cole, by Curtis Evans
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That British mysteries from the Golden Age of detective fiction (customarily defined as the period between the First and Second World Wars) were not only aesthetically but ideologically conservative has long been a commonplace of mystery genre criticism. In The Spectrum of English Murder, Curtis Evans challenges this view by looking at the detective fiction of Henry Lancelot Aubrey-Fletcher and G. D. H. and Margaret Cole, a trio of popular British crime writers from the Golden Age. Although Aubrey-Fletcher, a Great War veteran and member of his country's traditional gentry elite, and the Coles, prominent socialist intellectuals, wrote about fictional murder from polar points of the political spectrum, the detective fiction of all three authors is alike in that it often defies conventional expectations of between-the-wars British mystery writing. Aubrey-Fletcher's detective fiction, published between 1926 and 1957 under the pseudonym "Henry Wade," offers searching and sometimes searing criticism of myriad aspects of English society. A pioneer of both the police procedural and the crime novel, Aubrey-Fletcher was an important figure in the movement to transform the classical tale of detection. As a sideline from their serious writing on politics and economics, the Coles between 1923 and 1946 produced a significant body of detective fiction, much of it mocking cherished conservative values. Although less formally innovative in their mystery writing than Aubrey-Fletcher, the husband and wife were exceptional within the genre at this time for their employment of leftist-tinged satire and farce. The Spectrum of English Murder offers both fans and scholars of Golden Age detective fiction an entertaining and illuminating analysis of the works of three of the period's most interesting crime writers, all of whom merit modern-day revival.
The Spectrum of English Murder: The Detective Fiction of Henry Lancelot Aubrey-Fletcher and G. D. H. and Margaret Cole, by Curtis Evans- Amazon Sales Rank: #3111788 in Books
- Published on: 2015-05-18
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .58" w x 5.98" l, .84 pounds
- Binding: Paperback
- 256 pages
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Most helpful customer reviews
1 of 1 people found the following review helpful. Inform and Entertain By Anthony W. Donley Curt Evans is a scholar focusing on mystery authors and the genre. His latest work complements his last work and gives an in-depth look at the Coles who were interesting and influential British mystery authors and Aubrey-Fletcher who was better known as Henry Wade. Evans has an engaging, personable style that informs without being pedantic.
0 of 0 people found the following review helpful. A great complement to Masters of the Hundrum Mysteries! By Enrique F. Bird A couple of years ago i wrote the following Amazon review for this book's predecessor:"Mr. Evans has written a thorough study of 3 of the principal writers of a group which Julian Symons, a noted writer and critic himself, derisevely called "humdrums". Taking the bull by the horns, the author manages to transform the insult implied in the term humdrum into a positive adjective.Mr. Evans first gives a background to the era these writers belonged to and why and where Symons was so negative about them. He then successfully, at least for me, unmasks the superficiality of the critic's contempt for humdrum writing, all the time giving us lots of information and commentary of English detective fiction between the 2 world wars. This he does in an easy to understand, likable, and at the same time scholarly style that betrays his thorough knowledge of the subject he writes on.He then proceeds, in the same vein, to write in detail on 3 of the main humdrum writers: John Rhode (who is also Miles Burton), Freeman Wills Crofts, and JJ Connington. For each of them he provides biographical information, writing history, and description and criticism of a considerable amount of their mysteries, including not only their best known but many of the others. These 3 chapters are the heart of the book.At the end, he provides with the thoroughness we have now come to expect extensive bibliographical information for each of the 3 writers.Troughout the book, there is an abundance of graphic material consisting mainly of photos, cover reproductions, and maps/diagrams from the books themselves.This is a must read book for anyone who likes the classic detective novel/story, especially of the Golden Age between World War I and World War II. Also, from now on, this should be on the bookshelf of anyone writing about the history of the mystery/detective field. Mr. Evans has additional unpublished material on several other of the humdrum writers and I personally hope they will see print in the not too distant future."Good news - this is the"remainder' of his major work, and it is up to the high standard set by its companion volume. This time he deals with 2 other authors: Henry Wade and G.D.H. & Margaret Cole. It is great to see a major neglected writer as in my opinion Wade was being so thoroughly discussed. And although the Coles are of the five different writers discussed by Evans in the 2 books the ones I do not like much or rate highly, it is a matter of personal taste - what Evans writes about them and their books is much welcome material.Dear Curtis Evans, please do not stop here!
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