So We Read On: How The Great Gatsby Came to Be and Why It Endures, by Maureen Corrigan
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So We Read On: How The Great Gatsby Came to Be and Why It Endures, by Maureen Corrigan
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"Maureen Corrigan has produced a minor miracle: a book about The Great Gatsby that stands up to Gatsby itself" --Michael Cunningham. It's a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As "Fresh Air" book critic Maureen Corrigan points out, many of us first read Fitzgerald's masterpiece when we were too young to comprehend its power. Offering a fresh perspective on Gatsby, SO WE READ ON takes readers into archives, high school classrooms, and onto the Long Island Sound to explore the novel's hidden depths, revealing its surprising debt to noir, its rocky path to recognition as a "classic," and its profound commentaries on race, class, and gender. With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience Gatsby and, along the way, spins a fascinating story of her own.Maureen Corrigan is the book critic for NPR's "Fresh Air," the Critic-in-Residence at Georgetown University, and winner of the Edgar Award for Criticism. She is the author of Leave Me Alone, I'm Reading (Random House, 2005).
So We Read On: How The Great Gatsby Came to Be and Why It Endures, by Maureen Corrigan- Amazon Sales Rank: #45868 in Books
- Brand: Corrigan, Maureen
- Published on: 2015-05-12
- Released on: 2015-05-12
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.00" w x 5.50" l, .0 pounds
- Binding: Paperback
- 368 pages
Review "Maureen Corrigan has produced a minor miracle: a book about The Great Gatsby that stands up to Gatsby itself."―Michael Cunningham"No one is better at bringing a book to life than Maureen Corrigan. Her vividly personal evocation of Fitzgerald and The Great Gatsby is at once a labor of love, the story of a quest, and a mother lode of information and insight. As a biography of a novel, it reads like a novel."― Morris Dickstein, author of Gates of Eden and Dancing in the Dark"Second only to the pleasure of re-reading Gatsby is the pleasure of talking to someone about it, and Maureen Corrigan is the ultimate someone: boundlessly erudite, blazingly funny, and infectiously passionate. . . . As with the book that inspired it, my only complaint about So We Read On is that it comes to an end."―Susan Choi, author of My Education"An intoxicating cocktail of talent, celebrity, gangster noir, and the vicissitudes of reputation that create a classic."― Ron Rosenbaum, author of The Shakespeare Wars"As pleasurable to read as Fitzgerald's. ... It's smart and compelling, persuasive without demeaning other interpretations...a gorgeous treat."―The Washington Post"We have to be thankful to Maureen Corrigan for letting us in on her intriguing love affairs with great books, as in this wonderful account of her grand passion for The Great Gatsby. She reminds us that perhaps one true promise of that elusive green light at the end of the dock resides in our creative imagination, and the intimate relationship between a book and its reader."―Azar Nafisi, author of Reading Lolita in Tehran and The Republic of Imagination"Corrigan's research was as intrepid as her analysis is ardent and expert, and she brings fact, thought, feelings, and personal experiences together in a buoyant, illuminating, and affecting narrative about one depthless novel, the transforming art of reading, and the endless tides that tumble together life and literature."― Booklist (Starred Review)"A literary love letter... [Corrigan's] tone is lively and bright and her enthusiasm for the novel is infectious. You'll feel as if you're attending a lecture by your favorite prof or chatting with a brainy, bookish friend. Bursting with intellectual energy and fun facts, this paean to the 'great American novel will appeal to fans of Corrigan's book critiques and Jazz Age scholars, and will, one hopes, impel readers to pick up the brief work for the first (or fourth, or 14th) time."― Library Journal (Starred Review)"So We Read On is a fine book on many levels, almost too many to list. This book is a love story about a book. It's an expression of love for one of the most lyrical and engaging and prescient novels in the English language. Maureen Corrigan writes not only with passion about her subject, she writes with an understanding of America and the elusive goal represented by the green light on Daisy's dock."―James Lee Burke"Coaxing us aboard her narrative Tilt-A-Whirl, Corrigan spins us from topic to topic and back again, each revolution both reminding and enriching."―Cleveland Plain Dealer"So We Read On is a marvelous mix of the high and the low: solid literary criticism delivered in a user-friendly manner, coupled with the back story of the book's creation, replete with the sordid details of Scott (and Zelda) Fitzgerald's sad, unfulfilled promise."―BookPage"Too genuine and moving to be resisted...[a] generous spirit warms every page of So We Read On."―The Boston Globe"NPR's resident Fitzgerald aficionado delivers the college seminar we all wish we'd taken."―O, The Oprah Magazine
About the Author Maureen Corrigan is the book critic for NPR's "Fresh Air," the Critic-in-Residence at Georgetown University, and winner of the Edgar Award for Criticism. She is the author of Leave Me Alone, I'm Reading (Random House, 2005).
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27 of 28 people found the following review helpful. Green Light By Brian Lewis I have been enthralled with Fitzgerald since my teenage years, over 50 years ago, and expected to enjoy this. And for the most part I did. Dr. Corrigan, who teaches a course on Fitzgerald at Georgetown, knows her subject well and presents it competently. But I feel like she ran out of Fitzgerald material and relied on Corrigan material before the book came to an end. We get too much information about Corrigan and how difficult it was to track down sources or do the research for the book. I felt like I was getting the bibliographic notes section of the book, when I was still in the last chapter. The sections detailed the literary revival of Gatsby and Fitzgerald also seemed inconclusive. As luck would have it, I have read five "books about books" in the last year or so. If you are similarly inclined, my personal rankings of them would be 1. The World's Most Dangerous Book, (about Joyce's Ulysess) 2. The Empire of Necessity (about Melville's Benito Cereno, 3.) Thomas Paine and the Rights of Man by Christopher Hitchens 4.) So We Read, and 5.) The Zhivago Affair, about Boris Pasternak and the effort to get Dr. Zhivago published.
26 of 27 people found the following review helpful. Enriches THE GREAT GATSBY and those who read it By Bookreporter F. Scott Fitzgerald died at age 44, the victim of a turbulent life of alcohol, high living and emotional trauma. Unhappily, at his passing, he was not a revered star of the literary world. What would become his literary bequest to the world, his novel THE GREAT GATSBY, was barely an afterthought in literature. A few years before his death, Fitzgerald sadly discussed the book’s languid literary status in a plaintive letter to his editor, Max Perkins: “I wish it was in print. It will be odd a year or so from now when Scottie assures her friends I was an author and finds that no book is procurable….” Fitzgerald’s funeral would be eerily similar to that of Jay Gatsby --- barely anyone attended.Today, 90 years after its publication, THE GREAT GATSBY is one of the most read books in the world. It is on the reading list of almost every high school literature class in America and is the one American novel that most educated Americans have read. SO WE READ ON asks why. And while author Maureen Corrigan cannot really answer that, she does offer readers wonderful insight into the life of its troubled author and some suggestions as to why readers seem to be “borne back ceaselessly” into its thrall.Corrigan is the book critic for NPR’s “Fresh Air” and a professor of literature at Georgetown University. She teaches THE GREAT GATSBY as a labor of love, even going so far as to travel with her students to New York City to experience “the living text of the city.” She believes that Fitzgerald loved the Big Apple as he wrote the book. He had visited there while a student at Princeton and returned after military service. New York City of the ’20s suited his life aspirations. Part of Corrigan’s affinity for the classic work obviously stems from her love of New York. It is an enthralling combination.For Corrigan, THE GREAT GATSBY is just about perfect, despite going against every expectation of what a Great American Novel should be. Length and plot development are not exhaustive, and the end is fairly predictable. Readers learn the basics of Jay Gatsby’s life but with very little detail. How he earned his fortune can still be debated, although most would attribute his money to some illegal activity. His early romance with Daisy also leaves many unanswered questions. Readers know very little about Nick, the narrator of the story. But perhaps it is the unanswered questions and the brevity of the novel that make it so majestic. It simply does not fit the mold for what most scholars would require of a great novel. It may not be hefty in pages, but it contains some of the most beautiful sentences ever written. Fitzgerald may suggest that the American Dream is a mirage, but his words serve to make it irresistible. The book’s brevity may contribute to its appreciation and greatness in another fashion: readers often return to it to savor its elegant writing once again.SO WE READ ON discusses not only THE GREAT GATSBY but also its role in culture. Corrigan mentions the novel’s various movie versions. Surprisingly her favorite is the least known: the 1949 version starring Alan Ladd. It interprets the novel as an underworld crime saga as opposed to the more modern films that treat the book as a love story. One of the joys of reading comes from new discoveries. I anxiously await the opportunity to watch the one movie version of THE GREAT GATSBY that I have yet to see.There is much more to enjoy in Corrigan’s paen to Fitzgerald’s novel. Readers are reminded of his brief Hollywood life and the tragedy that would envelop both him and his wife, Zelda. Corrigan reminds us that many great authors have been “one-hit wonders,” but laments Fitzgerald’s failure to reach his potential as a writer as a loss for literature, as well as a personal one. SO WE READ ON enriches THE GREAT GATSBY and those who read it.Reviewed by Stuart Shiffman
16 of 18 people found the following review helpful. Extraordinary Insights and Commentary - Highly Recommend! By Judith D. Collins A special thank you to Little Brown & Company and NetGalley for a complimentary reading copy in exchange for an honest review. (also purchased the audiobook).So We Read On: How The Great Gatsby Came to Be and Why It Endures, by Maureen Corrigan offers extraordinary insights and commentary, into the real meaning behind this timeless classic; the characters, the time, viewpoints and perspectives, symbolism, comparisons, and interesting tidbits of this talented author, Scott Fitzgerald; inspiring readers to re-read, to experience the life of the good and the bad of this exciting era and the "American Dream".As a huge fan of The Great Gatsby, having read it many times, during my younger years, and within the last few years, the movie, performances, reading the book again twice, and listened to the audiobook. Have also read Z, Zelda Fitzgerald and many other books surrounding this intriguing couple. Wow, So We Read On was outstanding!A thought provoking and compelling view with a fresh look and perspective into the symbolism between the life of Scott Fitzgerald and Gatsby character. I listened to the audiobook, read by the author; so right on, as her vast knowledge is reflective throughout the pages. I was so engrossed, as I am a big research nut and loved Corrigan's passion and extensive insights (what a super idea going back to the high school as everyone has a different take). The entire time I was listening to this captivating book, I was thinking "Wow, Corrigan could duplicate this book with all the classics out there!" It would be incredible, as I for one would buy anything she writes.So We Read On is a book you will want to buy (as ideal for reference, gifts, and would make a great book club choice, or for lectures, discussions, groups, etc.), as I found myself trying to make notes while listening to the audio, so need to go back and buy the e-book in order to make notes, as there is so much to take in. I cannot possibly hit on all my notes as you have to read the book; however, some of the main items I found fascinating, are listed on my blog as do not want to make the review too lengthy. A few highlights:The Great Gatsby is not a character driven or plot driven novel; it is a voice driven novel. Gatsby is the ultimate enigma and center of the novel.The Great Gatsby is similar to Scott's end of relationship with Zelda. Symbolic of The price of the American Dream. A junior high or high school student views The Great Gatsby, versus a mature adult (totally different), as why you need to re-read many times as you age, as the meaning is profound.The isolation of Gatsby's life, as he is always alone, similar to Fitzgerald's life (many similarities, depending on what was going on in his personal life with Zelda and timing). Burial, etc. The meaning behind the rainbow of shirts, the cars, the parties, the glitz, glamour, money - Does Daisy think Gatsby is becoming like Tom? What happened to the poor humble boy, is he gone? The Great Depression (lights out), parties and black Tues 1929; good times cannot roll on indefinitely. The Great Gatsby projects allusion. A funny novel, comedy like novel.The Great Gatsby is really the only successful book Fitzgerald wrote, and unfortunately was not appreciated until after his death. Represents rich careless people - detached poetic style. Page for page is elaborately patterned. The complexity of the novel so overlooked. The American Dream is irresistible, heartbreaking and buoyant. Gatsby and Daisy's reunion took place in the middle of the novel (which is important). Billboard and green light (symbols); patterns and narrative structure; always reaching and striving and still unable to find happiness. A hard boiled story. The novel is wildly over designed. Brilliantly written.Drawing on the author's own experience as a reader, lecturer, and critic; a powerful read you will not want to miss. I was blown away! Corrigan is witty and brutally honest and yes, you definitely will want to re-experience Gatsby in new more favorable light. Read both - Highly recommend!
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