Unreading Shakespeare, by David P. Gontar
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Unreading Shakespeare, by David P. Gontar
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An outstanding Classic in the great tradition of A.C. Bradley, H.C. Goddard, G. Wilson Knight, and Harold Bloom. Together with the groundbreaking Hamlet Made Simple and Other Essays, UNREADING SHAKESPEARE shakes the foundations of Renaissance studies, breathing new life into Othello, Hamlet, Falstaff, Rosalind, and many other characters. Here is the definitive exposition of Shakespeare in the 21st century.
UNREADING SHAKESPEARE
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Teaches us how to find the real wisdom of Shakespeare
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Shows the major philosophical influence on Shakespeare is not Montaigne but Plato
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Introduces Katherine of Aragon as Feminist Hero
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Uncovers the comic dimension of Shakespeare s Tragedies
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Presents the Socratic Apology of Falstaff
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Rescues King Lear from modern oblivion
- Amazon Sales Rank: #1887836 in Books
- Published on: 2015-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.23" w x 5.98" l, 1.76 pounds
- Binding: Paperback
- 550 pages
Review
Writing an essay recently about an important character in Shakespeare, I turned to Mr. Gontar for guidance. He is illuminating, erudite and wise. I couldn't have done better. Theodore Dalrymple, author of numerous books, including Anything Goes, Farewell Fear and Threats of Pain and Ruin.
David Gontar's books on Shakespeare contain some of the most impressive writings on the works of the Bard that I have ever read. Gontar's Shakespearean essays fill us with triumphant illumination. Ricardo Mena, author of Ver, begin
Surely the best book of writing on Shakespeare in a very long time, UNREADING SHAKESPEARE and its companion, HAMLET MADE SIMPLE, are a revelation at once delightful and amazing. Richard Cameron, Co-founder, Institute of Classical Architecture and Art, Atelier and Co.
--New English ReviewAbout the Author
David P. Gontar, Ph.D., J.D., served as Assistant Professor of Philosophy and Humanities at Southern University from 1975 to 1982. Thereafter he was engaged in the practice of law in New Orleans, Louisiana and southern California. He is currently Adjunct Professor of English and Philosophy at Inner Mongolia University in China. In 2010, he was the English editor of China's application to UNESCO for World Heritage Status of the Xanadu site in Inner Mongolia, granted by UNESCO in June of 2012. David's writings have appeared in Southwestern Journal of Philosophy, Tulane Studies in Philosophy, Plantation Society in the Americas, Loyola Law Review, and New English Review.
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14 of 14 people found the following review helpful. Geat new book of Shakespearean criticism! By Gary L Together with its companion, "Hamlet Made Simple and Other Essays," Professor David Gontar’s new book" Unreading Shakespeare" demonstrates once again that he is one of the world’s leading Shakespearean critics, offering important original analysis of the Bard’s writings. Throughout this series of essays, David Gontar addresses different aspects of the plays and poems, offering a unique interpretive approach. As he did in his first book, he reveals their many interconnections, unexplored topics, undiscovered character relationships, and recurring themes.His forte is exposing much of the superficial opinions that pass for contemporary Shakespearean criticism on today’s college campuses. He repeatedly demonstrates that much of this shallow criticism is filtered through the lenses of ideology and political correctness, leading to blatant distortions of Shakespeare’s original intentions. Gontar will have none of this. He continually advises his readers to focus on what Shakespeare actually says, rather than relying upon someone else’s interpretation of what he said. He asserts it is often necessary to “unread” the plays, as we cast aside our own shallow preconceived notions taught to us many years ago. Hence the title, "Unreading Shakespeare."For fresh, in-depth analysis of the works of Shakespeare, there’s none better than David Gontar. The book is well written, well edited, and well researched. David Gontar’s erudition, depth of knowledge of the subject matter, and genuine love for Shakespeare is breathtaking, a devotion obviously cultivated over many years. It is highly recommended for those who seek to expand their Shakespearean horizons and to those who have a love of great literature.
5 of 6 people found the following review helpful. Striving for the New Shakespeare Studies Paradigm By William J. Ray What stays with me from ‘Unreading Shakespeare’ is its easy confidence that Shakespeare studies as it exists today shall receive no more cloying and decorous worship. For decades the critical disconnect of the effectively unknown author "Shakespeare" from the works themselves has left readers a biographical vacuum where serious questioning of the Stratford narrative should be. Other interpretive fads, such as the author-doesn't-matter deconstruction, are also cast aside.Dr. David Gontar has impeccable academic and legal credentials to undertake such a departure. He consciously leaves aside presuppositions inherited from the academic tradition. Instead he reads the text and tells us what is there, no matter how disturbing or unprecedented. This makes for a lively discussion of supposedly familiar plays.He does not shrink either from candid commenting upon other scholars in the guild. Dollimore, Appleford, G. Wilson Knight, Kermode, the poet-critic Ted Hughes, and many more are taken to task in the author's path toward more accurate interpretations of the history and texts. The nearly forgotten C.C. Stopes, biographer of the Earl of Southampton, who was the only dedicatee of Shakespearean classics, receives proper recognition for searching though failing to find a literary Shakespeare.Somehow Dr. Gontar's thinking process has cut free of the critical tradition’s stale prose and constricted methodology, and its underlying insecurity, will this be acceptable and respectable in the English departments of the land? It is not merely that he argues against the Stratford fantasy, an illogical fiction buried in the center of Shakespeare criticism. He abandoned that construct long ago. He wholesomely departs from academia in other significant ways.In 'Unreading Shakespeare', incest is never avoided as taboo material in King Lear. For centuries the text has illustrated it in the psychological if not the actual physical sense. He treats relations between Lear and the favored Cordelia quite extensively. This is virtually unique in the critical tradition. Dr. Gontar, just as he has gone afar geographically, to China and Inner Mongolia, ventures far from the polite and politic.The treatment of Abraham Lincoln is an example of unprecedentedly independent perspective. The usually Christ-like Lincoln has never been compared with Bolingbroke, at least to my knowledge. But Lincoln was known to be devoted to Shakespeare’s kingly plots, especially Macbeth. His inner drama as the protagonist of the American Iliad, the War Between the States, took from his reading as well as from the tumultuous historical drama itself. Dr. Gontar discusses his career and not as an admirer. It was part of Lincoln's tragic biography to be considered a tyrant, "Caesar", an image directly from reading Shakespeare and the Classics. The Shakespeare connection both framed and, in the criminal mind of the assassin, justified murder. The critical tradition usually keeps Shakespeare and history apart, turning the author's works into a cultural whimsy, instead of the knowing political commentary on government and men it really was.Similarly, the English slave question, a controversy rarely contextualized in Shakespeare studies, plays a prime role in the essay about Othello. Gontar’s essay, “Shakespeare in Black and White”, will probably be his most consequential work following from this volume.It is a big expansive book, enjoyable to read over a period of time. It could be terser and express equal power. But that would be another book by a different writer. The style, just as it is, comports with the energy of the writer’s prolific ideas and engagement with the texts. He never hides in circumlocutions.I am persuaded by the publication of ‘Unreading Shakespeare’ that there is a growing shift in English criticism, an abandonment of its clichéd thoughts––and of the stultified English so certain to accompany them. Ricardo Mena is another scholar capable of driving vitality in thought and prose, and equally unafraid of the collegial conformity that paralyzes advances in this field. The new century will bring forth new paradigms from independent minds, who will not waste time copying the past.
2 of 2 people found the following review helpful. Five Stars By Michael E Bondor Critique of critiques by someone who dearly loves Shakespeare!
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