Keep It Fake: Inventing an Authentic Life, by Eric G. Wilson
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Keep It Fake: Inventing an Authentic Life, by Eric G. Wilson
Free Ebook PDF Keep It Fake: Inventing an Authentic Life, by Eric G. Wilson
Shoot straight from the hip. Tell it like it is. Keep it real.
We love these commands, especially in America, because they appeal to what we want to believe: that there's an authentic self to which we can be true. But while we mock Tricky Dick and Slick Willie, we're inventing identities on Facebook, paying thousands for plastic surgeries, and tuning in to news that simply verifies our opinions. Reality bites, after all, and becoming disillusioned is a downer.
In his new book Keep It Fake: Inventing an Authentic Life, Eric G. Wilson investigates this phenomenon. He draws on neuroscience, psychology, sociology, philosophy, art, film, literature, and his own life to explore the possibility that there's no such thing as unwavering reality. Whether our left brains are shaping the raw data of our right into fabulous stories or we're so saturated by society's conventions that we're always acting out prefab scripts, we can't help but be phony.
But is that really so bad? We're used to being scolded for being fake, but Wilson doesn't scold--because he doesn't think we need to be reprimanded. Our ability to remake ourselves into the people we want to be, or at least remake ourselves to look like the people we want to be, is in fact a magical process that can be liberating in its own way. Because if we're all a bunch of fakes, shouldn't we embrace that? And if everything really is fake, then doesn't the fake become real--really?
In lively prose--honest, provocative, witty, wide-ranging (as likely to riff on Bill Murray as to contemplate Plato)--Keep It Fake answers these questions, uncovering bracing truths about what it means to be human and helping us turn our necessary lying into artful living.
Keep It Fake: Inventing an Authentic Life, by Eric G. Wilson- Amazon Sales Rank: #811019 in Books
- Brand: Wilson, Eric G.
- Published on: 2015-05-05
- Released on: 2015-05-05
- Original language: English
- Number of items: 1
- Dimensions: 7.77" h x .95" w x 5.27" l, .0 pounds
- Binding: Hardcover
- 240 pages
Review
“[A] terrific new philosophical investigation . . . The great appeal to me of Wilson's view and this book [is] he is brave enough to admit that the work of trying to be a good person requires you to think very hard-yes, very honestly-about how you actually interact with others.” ―The New York Times Book Review
“Wilson has ultimately written a deeply personal book, almost a lifeline . . . An elliptical, provocative meditation that reads as much like a catharsis as a manifesto.” ―Kirkus
“A gifted, candid raconteur, [Wilson] serves up pithy and often playful writing… Readers should be left entertained and enlightened by Wilson's vast knowledge, immediacy, and honesty.” ―Publishers Weekly
“A leisurely, light-footed overview of our cultural obsession with doom, gloom, and gore.” ―Josh Rothman, The Boston Globe on Everyone Loves a Good Train Wreck
“In the teeming ranks of the American Professoriat, you could argue that Eric G. Wilson is among those most palpably needed by the world at large.” ―Jeff Simon, The Buffalo News on Everyone Loves a Good Train Wreck
“[Everyone Loves a Good Train Wreck] reassures: enjoying grotesque, horrible, frightening images is a natural impulse. From fairy tales to crime dramas, they hit us where we are most human.” ―Kate Tuttle, The Boston Globe on Everyone Loves a Good Train Wreck
“Mr. Wilson's case for the dark night of the soul brings a much needed corrective to today's mania for cheerfulness. One would almost say that, in its eloquent contrarianism and earnest search for meaning, Against Happiness lifts the spirits.” ―Colin McGinn, The Wall Street Journal on Against Happiness
“An impassioned, compelling, dare I say poetic, argument on behalf of those who ‘labor in the fields of sadness'. . .” ―Minneapolis Star Tribune on Against Happiness
“[Wilson has] the passionate soul of a nineteenth-century romantic who, made wise by encounters with his own personal darkness, invites readers to share his reverence for nature and exuberance for life. Providing a powerful literary complement to recent psychological discussions of melancholy . . . this selection is variously gloomy and ecstatic, infuriating and even inspiring.” ―Brendan Driscoll, Booklist on Against Happiness
About the Author Eric G. Wilson is the Thomas H. Pritchard Professor of English at Wake Forest University in Winston-Salem, North Carolina. He is the author of Everyone Loves a Good Train Wreck: Why We Can't Look Away, Against Happiness: In Praise of Melancholy, The Mercy of Eternity: A Memoir of Depression and Grace, and five books on the relationship between literature and psychology.
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Most helpful customer reviews
8 of 9 people found the following review helpful. A Romp at the Nexus of Philosophy, Literature, and Mental Health By Kenneth R. Mabry What fascinates me about Wilson’s popular writing is his high-wire act of using philosophy, literature, and psychology to craft a life where meaninglessness and despair might otherwise prevail. I’ve enjoyed his previous books and read “Against Happiness” twice.Using 50 staccato bursts of unnamed, brief essays loosely organized around the theme of authenticity, this book casts more light on how Wilson transformed from West Point cadet and jock to a professor of English. As a mental health counselor in training, I can sense the surges of mania and the suck of depression in the writing itself as the author gives candid glimpses into his own bipolar illness. The intensity made me grateful that the chapters were short! We learn what literature and which philosophers have allowed him to navigate these storms and to create a more authentic life. For instance, Wilson declares that he “is” William James, whose philosophy of pragmatism allowed Wilson to act “as if” life could have meaning and purpose, thereby making it so.If you are drawn—as I am--to stories of how philosophy and literature can help you not just to hang on but to create meaning from within the sterile void, you will enjoy this collection.
4 of 4 people found the following review helpful. The Beauty of Not Knowing (Yourself) By Amazon Customer Wilson KEEP IT FAKE is a beautifully written, thoughtfully composed book on who we are, who we think we are, who we want to be and what does it all mean? There are no answers. But the question itself is inspiring. If our identities are composed of narratives that can't be trusted (fragmented memories, consumed news and culture), then perhaps we can be liberated from our Capitalistic constraints. We can write our own narratives, and transcend the vapid, mundane, existence that has ensnared us. Wilson explores philosophers and mystics, ponders his own identity, celebrates poets and thinkers, but I think it's the actor that he's really drawn too. The self-awareness of Bill Murray. The duality of Cary Grant. This all fascinates Wilson because in a sense, we're all acting, all the time, trying to discover who we are. And who are we? We'll never know. And in this sense, we can become whatever we want. I've read this book twice now. It's profound yet comforting, challenging yet whimsical. Wilson cares deeply about his subject, his family, and the troubling torque of humanity.
6 of 7 people found the following review helpful. ... his third book with FSG) that I have always enjoyed is his deft interweaving of genres By Philip Arnold One of the characteristics of Wilson’s writing (this is his third book with FSG) that I have always enjoyed is his deft interweaving of genres, merging philosophy, memoir, cultural studies, psychology and film history. Utilizing short chapters, he is able to leap quickly and soundly from one search to the other to discover – it seems to me – first, what is ‘real.’ Finding this difficult, Wilson illuminates in both fiction and reality the sometimes subtle, strained, whacky, desperate, and hilarious attempts to construct – or rather perform – an identity, this elusive sense of a self, as both self-saving and publicly staged.In this course there are moments when Wilson veers and spins into orbits of elevated literary vigor. The chapter on Bill Murray’s performance in the film, Meatballs, achieves virtuoso analysis. I don’t believe I’ve ever encountered anything quite like this in my readings – with Wilson’s prose accelerating with emphatic insights and seer glee – mimicking Murray’s own frenetic histrionics as Tripper Harrison. I could read a tome of this stylized writing alone. KIF offers many such chapters, showing Wilson is on his game, wheeling and dealing, while writing with a disarming honesty and with what I can only call a ‘joy’ – reveling and revealing what it means to be ‘authentic.’ It’s a wonderful read.
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