Talking to the Gods: Occultism in the Work of W. B. Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune (SUNY Series in Western Esoteric Traditions), by Susan Johnston Graf
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Talking to the Gods: Occultism in the Work of W. B. Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune (SUNY Series in Western Esoteric Traditions), by Susan Johnston Graf
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"Talking to the Gods" explores the linkages between the imaginative literature and the occult beliefs and practices of four writers who were members of the Hermetic Order of the Golden Dawn. William Butler Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune were all members of the occult organization for various periods from 1890 to 1930. Yeats, of course, is both a canonical and well-loved poet. Machen is revered as a master of the weird tale. Blackwood s work dealing with the supernatural was popular during the first half of the twentieth century and has been influential in the development of the fantasy genre. Fortune s books are acknowledged as harbingers of trends in second-wave feminist spirituality. Susan Johnston Graf examines practices, beliefs, and ideas engendered within the Hermetic Order of the Golden Dawn and demonstrates how these are manifest in each author s work, including Yeats s major theoretical work, "A Vision.""
Talking to the Gods: Occultism in the Work of W. B. Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune (SUNY Series in Western Esoteric Traditions), by Susan Johnston Graf- Amazon Sales Rank: #4241690 in Books
- Published on: 2015-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x .80" w x 6.30" l, .0 pounds
- Binding: Hardcover
- 178 pages
About the Author
Susan Johnston Graf is Associate Professor of English at Penn State Mont Alto and the author of "W. B. Yeats Twentieth-Century Magus.""
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1 of 1 people found the following review helpful. Golden Dawn: Talking to the Gods using magic By Mindfunda Susanne van Doon Almost every one of us believes that we can tap into a greater pool of creativity if we only knew how to use the laws that can unleash our creative powers. This Mindfunda is going to shed a light on where those beliefs originate from.Magic is everywhere right? In the eyes of a child, filled with promises and unfulfilled potencies. In the sunlight that kisses your skin. In the smile from your lover that left this morning. But we almost all have this uncanny feeling that there is so much more that lies hidden behind secret laws.Of course we do not believe in magic anymore. We call it sorcery. But give us ‘The Secret’, based on wishing and visualization and we go wild. Give us the ‘The Celestine Prophecy’ and we change our lives. This craving to learn how to control the laws of nature is just the thing what brought about the Order of the Golden Dawn in the late 1800s.Golden DawnSusan Graf talks about the Golden Dawn in her book ‘Talking to the Gods‘ using a very interesting perspective. She reviews four different authors, all still in print today, according to their magic qualities. The magic qualities they all four had learned about in the Secret order of the Golden Dawn.Her choice of writers to compare: the famous W.B.Yeats, Arthur Machen and Algernon Blackwood belonged to the cultural elite of their days. Dion Fortune did not but she was the one writer who used her books to educate her readers about the magical laws of the Golden Dawn. She got more appreciated in the 60’s of the last century when the “Goddess movement” began its rise. Her book “Applied Magic” is still one of the best magic introduction books around.Dion is the last writer to be discussed in the book and the only woman. She is the only one of the four who openly admitted to be occult. The other three men did not do that. But Susan had a different reason to pick them.Even though all three were secret about their membership and their occult practices, magic was Yeats religion. He had 35 years of involvement in the Golden Dawn and was an established writer rewarded with the Nobel Prize. And even though the occult beliefs of the Golden Dawn are in his work he never openly violated his promise of secrecy.There was a sense that Yeats had of a “greater spiritual mind” that he could tap upon using magic. It enabled him to write Fairy and Folk tales of Irish peasantry. And even though he yearned to tell about his encounters with the fairy people he did not mention his magical knowledge to anyone.Algernon Blackwood, had like Carl Jung, very a religious father who inspired him to search for his own method of experiencing religion.Blackwood did not get the international recognition like Yeats dis, but his John Silence stories are still appealing today. They paint the hero of the Golden Dawn movement.The concept of God is like an enlightened doctor who travels the world on a healing mission in the service of all that is good and right.Arthur Machen was, just as Yeats and Blackwood, a member of the literary establishment of England and also kept his membership of the Golden Dawn a secret. But he did not capture the worldwide recognition of Yeats. The Great God Pan still is his most read publication.And where Yeats was a Golden Dawn adept, Arthur Machen wanted to be inspired by the knowledge within. He already had a lot of spiritual knowledge. Compared to Yeats he was more reserved towards the Golden Dawn.I have enjoyed reading Talking to the Gods. The perspective of looking at the Golden Dawn influence in the books of the writers gives us a lot of knowledge about the Golden Dawn. Everybody who works with symbols should get their hands on a copy of this book. The use of symbolism by the Golden Dawn has infiltrated todays art, books films and dreams. Reading Talking to the Gods makes you see how the wish for a new era, a new way of living for humanity is a shared vision of generations. This book makes you want to dive into your own rite to communicate with your higher self.(This review is also published on Mindfunda.com)
1 of 1 people found the following review helpful. Solid Scholasticism By Ancient History The Hermetic Order of the Golden Dawn was one of the most influential occult societies of the early 20th century, and under its umbrella gathered characters as disparate as Aleister Crowley and A. E. Waite, the Irish poet W. B. Yeats and the Welsh mystic Arthur Machen. The Golden Dawn is a connective strand between these men and women that otherwise might never have met in other contexts, and its rituals and studies influenced them in different ways, just as they took their own parts in the turmoil and scandals that erupted between those who sought to control or break away from it. We look back at the Golden Dawn as a nexus between world literary and scholastic, when artists and writers dabbled in occultism and the divine - and even today, the audience for such materials is often broken up between occultists (would-be or practicing) and academics; this book is intended primarily for the latter.I had originally bought this book with an eye toward Arthur Machen and Algernon Blackwood, those two early masters of the macabre weird tale. Graf has done an excellent bit of research into the occult associations of both men, focusing in on their involvement with the Golden Dawn but not ignoring their independent studies before and after - readers fond of Machen in particular might appreciate the few details provided about Machen's first wife and the ritual "process" he used to overcome the grief at her death. Yeats and Fortune I am less directly interested in, but found their chapters relatively informative - particularly Yeats, whom Machen would retroactively identify as his "Young Man with Spectacles." All of these is preceded by a chapter on the occult system of the Golden Dawn which, if in no way absolutely necessary - you're still better off tracking down a copy of Regardie's The Golden Dawn: The Original Account of the Teachings, Rites & Ceremonies of the Hermetic Order (Llewellyn's Golden Dawn Series) - is a very succinct and competent summation, and a solid introduction for the layman. The writing too has a very lively and erudite quality, being both informative and easy to read - the chapters go by fairly quickly.Any issues I have with the book are mainly quibbles: Graf could have gone into much greater detail in some matters, particularly literary. For example, while she focuses mainly on Machen's biographies and the memoirs of his friends for his occult associations, she could have delved into his bibliography and dug up The Spagyric Quest of Beroaldus Cosmopolita, tried to find the folk-magic origins of the material in "The White People," or even tried to decipher something of House of the Hidden Light, The - but that might have surplus to requirements.
0 of 0 people found the following review helpful. I really enjoyed this work by Susan Johnston-Graf By Amazon Customer I really enjoyed this work by Susan Johnston-Graf. Finally, a respectable academic is publishing some well-researched material on these matters. I just wish she publish more books now!
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